My L.A. Times Stuff
The life of dance legend Martha Graham, step by step, falls and all, Los Angeles Times
Frida Kahlo Meets John Coltrane in electric dance homage, Los Angeles Times
Moves After Dark dancers turn Grand Park (and more) into splashy stage, Los Angeles Times
Aspen Santa Fe Ballet Launches L.A. residency with stirring, cinematic dance, Los Angeles Times
Ovation times three: Companhia Urbana de Danca has REDCAT crowd on its feet, Los Angeles Times
Break dance meets ballet in explosive Jacob Jonas program, Los Angeles Times
Garth Fagan Dance pays tribute to director behind ‘The Wiz,’ Los Angeles Times
In ‘New Faithful Disco’ dancers groove to a wild night out, Los Angeles Times
Moves After Dark presents 4 female-led dance Groups in unconventional spaces, Los Angeles Times
A bubbly mix of Balanchine Astaire from American Contemporary Ballet, Los Angeles Times
Music Center Throws a four-day hip-hop, and Brazilian dancers of Compagnie Kafig lead the way, Los Angeles Times
‘Juliet and Romeo?’ Royal Swedish Ballet gives Shakespeare a twist at Segerstrom, Los Angeles Times
Los Angeles Ballet’s Romeo and Juliet is a happy alliance between dance families, Los Angeles Times
Mariinsky Ballet’s traditional and modern missions will we seen in ‘Raymonda’ and ‘Cinderella,‘ Los Angeles Times
The Art of Falling: Twice – Two Dance Reviews, Ampersand
The Symphonic Body, Ampersand
Cloud Gate Brings Nature and Human Nature to the Dorothy Chandler, Ampersand
From Girlhood to Womanhood in ‘Black Girl: Linguistic Play,’ Ampersand
Detour: A Drive Home Digression with Heidi Duckler Dance Theater, Ampersand
A Ballet for Every Season: American Contemporary Ballet Brings New Life to Lost Ballet, Neon Tommy
Boris Eifman’s ‘Rodin’ is a Blend of Muse and Medium, Neon Tommy
‘Available Light’ in the Digital Age, Neon Tommy
L.A. Contemporary Dance Company Looks Forward and Back, Neon Tommy
‘Ballet 422’ Goes Behind the Scenes of Dance-making, Neon Tommy
Curiouser and Curiouser: Rashaun Mitchell & Co. Bring ‘Performance’ to REDCAT, Neon Tommy
L.A. Contemporary Dance Company Moves as One, Neon Tommy
Kevin Williamson Creates a Beautifully Unfinished Draft, Neon Tommy
Luminario’s Season 5 is Bold Attempt, Neon Tommy
Music Center Throws a four-day hip-hop, and Brazilian dancers of Compagnie Kafig lead the way, Los Angeles Times
‘Juliet and Romeo?’ Royal Swedish Ballet gives Shakespeare a twist at Segerstrom, Los Angeles Times
Los Angeles Ballet’s Romeo and Juliet is a happy alliance between dance families, Los Angeles Times
Mariinsky Ballet’s traditional and modern missions will we seen in ‘Raymonda’ and ‘Cinderella,‘ Los Angeles Times
Poetry in Motion: Donna Sternberg has danced to science, now she is experimenting with the written word, The Argonaut
Shakespeare with a Bounce: ‘Tempest Redux’ punctuates The Bard with unexpected bursts of physical drama,The Argonaut
Dance Camera West Draws Inspiration from L.A. Landmarks, Neon Tommy
Wendy Whelan and Brian Brooks talk Collaboration on ‘Restless Creature,’ Neon Tommy
Q&A:
Spencer Liff Combines Choreographer & ASL in Spring Awakening at The Wallis, Neon Tommy
Question & Answer: Wendy Whelan & Brian Brooks on 'Restless Creature', Ampersand
Features:
Bullying, Angst, Adolescence Identity: Laurie Sefton & Clairobscur Dance, @ This Stage/ L.A. Stage Alliance
American Contemporary Ballet: When Dance Meets Design, @ This Stage/ L.A. Stage Alliance
Dance Resource Center Responds to LA Dance Community’s Unique Challenges, @ This Stage/ L.A. Stage Alliance
Performance, Architecture, Los Angeles: Discovering dance at homeLA, @ This Stage/ L.A. Stage Alliance
Profiles:
Spiritual Movements: Choreographer Ronald K. Brown creates a “soul-to-soul conversation through the body,” The Argonaut